Literature
The history of Odia Literature has been mapped by historians and linguists along the following stages, Old Odia (900–1300 AD), Early Middle Odia (1300–1500 AD), Middle Odia (1500–1700 AD), Late Middle Odia (1700 AD – 1850 AD) and Modern Odia (from 1850 AD till the present). But this rude categorization could not skillfully draw the real picture on account of development and growth of Odia Literature. Here, we split the total periods in different stages such as: Age of Charya Literature, Age of Sarala Das, Age of Panchasakha, Age of Upendra Bhanja, Age of Radhanath, Age of Satyabadi, Age of Marxism or Pragati yuga, Age of Romanticism or Sabuja Yuga, Post Independent Age.
The beginnings of Odia poetry coincide with the development of Charya Sahitya, the literature thus started by Mahayana Buddhist poets.[30] This literature was written in a specific metaphor named "Sandhya Bhasha" and the poets like Luipa, Kanhupa are from the territory of Odisha. The language of Charya was considered as Prakrita.
The first great poet of Odisha is the famous Sarala-Das who wrote the Mahabharata, not an exact translation from the Sanskrit original, rather an imitation of the same. Among many of his poems and epics, he is best remembered for his Mahabharata. Chandi Purana and the Vilanka Ramayana are also two of his famous creations. Arjuna Das, a contemporary to Sarala Dasa, wrote Rama-Bibha, a significant long poem in Odia.
Towards the 16th century, five poets emerged, though there are hundreds year gap in between them. But they are known as Panchashakhas as they believed to same school of thought, Utkaliya Vaishnavism. The poets are: Balaram Das, Jagannath Das, Achyutananada Das, Ananta Das and Jasobanta Das. The Panchasakhas are very much Vaishnavas by thought. In 1509 Chaitanya Mahaprabhu came to Odisha with his Vaishnava message of love. Before him Jaydev had prepared the ground by heralding the cult of Vaishnavism through his Geetagovinda. Chaitanya’s path of devotion was known as Raganuga Bhakti Marga, but the Panchasakhas differed from Chaitanyas and believed in Gyana Mishra Bhakti Marga, which has similarities with the Buddhist philosophy of Charya Literature stated above.
The Panchashakhas, however, are the direct disciples of Chaitanya Mahaprabhu. Along with another seer Shri Arakhsita Das, they are called also as sada-goswami (six Lords). These five saints primarily believed in Vaishnavism and also additionally cultured and developed Gyana Mishra Bhakti Marga as stated earlier (beliefs about the body, the mind, the soul, and the Parambrahm). They have composed numerous manuscripts, mâlikas, devotional poems, Sadhana descriptions, and other religious scriptures. Also, many prophecies are described by these seers in there numerous literature. Most of the literature were written in hand on palm-leaves using the Devanagari or the Oriya script.
The two prime works from the five writers are the Bhâgavata by Jagannath Das and the Jagamohana Râmâyana by Balarâm Das. Till today Jagannath Das’s Bhâgavata is the most valued book in Oriya literature. Besides this great work he (Jagannath Das) also composed Artha Koili, Darubrahma Geetâ, Shunya Bhâgabata, Dhruba Stuti etc. Balaram Das, apart from Jagamohana Râmâyana, has also composed various works such as the Lakshmi Purâna, Vendântasâra Guptagitâ, Nâma-mâhatmya, Bhâva samudra, Sisu Veda, Kamalalochana Chautisâ, Kânta Koili. Shri Ananta Das, also known as Shishu Ananta Das has composed various devotional literature, e.g., Chumbaka malikâ, Nilagiri charita, Hetu Udaya Bhâgabata, Artha Târeni Prasnottara, Anâkâra Samhitâ, Bhaktimuktipradâyaka Geetâ. Similarly, Shri Jasovanta Das composed Shiba Shirodaya, Premabhaktibrahma Geetâ, Âtmaparatey Geetâ, Gobindachandra.
Acyutananda was the most prolific writer of the Panchasakhas and has written numerous books (called as pothi's), believed not in one life but in many successive lives. He is known as the Mahapurusha, which means - a great man. A few works of him are: Shunya Samhita, Chaurashi Yantra, Gurubhakti Geeta, Khila Haribamsa, Gupta Bhagabata, Kaivarta Geeta, Kaala Nirghanta, Tera Janma Sharana, Brahma Ekahshara Geeta, Gopala Ogâla, Bhava Samudra, Garuda Geeta, Brahma Shankuli, Ananta Bata Geeta, Kali Kalkpa Geeta, Asta Gujjari, Gujjari Raasa, Brahma Kundali, Mahagupta Padmakalpa, Chausathi Patala, Chayalisha Patala, Chabisa Patala, Dasa Patala, Neetya Raasa, Manmatha Chandrika, Shiva Kalpa, Achyutananda Janma Sharana, Chitta Bodha, Raasa Maala, and Panchasakhaa Bhajana. The Shunya Samhita dealt with spiritual knowledge as well as physical sciences like solar science, atomic and molecular concepts, and aerospace concepts. The term Chauraashi Yantra describes '84 yantras' embedded within the human body, the later itself is ~84 fingers in length and each Yantra is located for each finger-length space. However, the most popular one seems to be an "Oracle of Prophecies" named as Bhavishya Malika. Among prophecies also are Aagata bhabishya lekhanaa and Bhavishya Paraardha. About the Identification of his disciple and the primary devotees, he had composed the Jaiphula Malika. Also his copper oracle (Tamrapothi) which appears to mysteriously read the mind and provide suitable answers is still available today, operated by a priest in Kakatpur.
Shri Arakhsita Das, the seer of Olasuni, had written the Mahimandala Geeta, the Bhakti Tikaa, the Saptaanga Abadhuta Samhita, and the Tatvasara Geeta.
At the end of age of Panchasakha, the prominent poets are Dinakrushna Das, Upendra Bhanja and Abhimanyu Samanta Simhar. Verbal jugglery, obscenity and eroticism as the characteristics of Shringara Kavyas, became the trend of this period to which Upendra Bhanja took a leading role. His creations were Baidehisha Bilasa, Koti Brahmanda Sundari, Lavanyabati were proved land mark in Odia Literature. Upendra Bhanja was conferred with the title Kabi Samrat of Odia literature for the aesthetic poetic sense and verbal jugglery proficiency. Dinakrushna Das’s Rasokallola and Abhimanyu samanta Simhara’s Bidagdha Chintamani are prominent kavyas of this time.
The first Odia printing typeset was cast in 1836 by the Christian missionaries which made a great revolution in Odia literature. Instead of palm leaf inscription, the books were being printed and the periodicals and journals were published. The first Odia Magazine of 'Bodha Dayini' was published from Balasore in 1861. The main object of this magazine was to promote Odia literature and to draw attention to the lapses in government policy. The first Odia paper, 'The Utkal Deepika' made its appearance in 1866 under the editorship of late Gouri Sankar Ray with the help of late Bichitrananda. The publication of these papers during the last part of the 19th century encouraged the modern literature and acted as a media to provide a wide readers range for the writers, The educated intellectuals came in contact with the English Literature and got influenced. Radhanath Ray (1849–1908) is the prime figure, who tried to write his poems with the influence of Western Literature. He wrote Chandrabhaga, Nandikeshwari, Usha, Mahajatra, darbar and Chilika wee the long poems or Kavyas. Fakir Mohan Senapati (1843–1918), the prime figure of modern Odia Fiction Prose is the product of that generation. He was considered the Vyasakabi or founder poet of Odia language. Fakir Mohan Senapati is well known for his novel Chha Maana Atha Guntha. It is the first Indian novel to deal with the exploitations of landless peasants by the feudal Lord. It was written much before the October revolution of Russia or much before the emerging of Marxist ideas in India.
With rise of freedom movement, a literary though was emerged with the influence of Gandhiji and idealistic trend of Nationalism formed as a new trend in Odia Literature. Much respected personality of Odisha culture and history, Utkalmani Gopabandhu Dash (1877–1928) has founded a school at avillage Satyabadi near Sakshigopal of Odisha and an idealstic literary movement influenced the writers of this age. Godabarisha Mohapatra, Kuntala-Kumari Sabat the other renowned name of this age.
With the emergence of soviet Russia in 1935, a Communist party was formed in Odisha and a periodical named "Adhunika" was published by the party. Bhagawati Charan Panigrahi and Sachidananda Routray were the founder members and writer/poets of the party. Bhagwati turned to fiction writing and though Sachidananda Routray (who is better known as "Sachi Routra" or Sachi Babu) has written some short stories is actually remembered for his poems. Influenced by the romantic thoughts of Rabindranath tagore, during the thirties when the progressive Marxian movements was in full flow in Odia Literature, Kalindi Charan Panigrahi, the brother of Bhagabati Charan Panigrahi, the founder of Marxian Trend in Odisha, formed a group circa 1920 called "Sabuja Samiti." Mayadhar Mansingh was a renowned poet of that time though he was considered as a romantic poet, but he kept the distance away from the influence of Rabindranath successfully.
As the successor of Sachi Babu, two poets Guruprasad Mohanty (popularly known as Guru Prasad) (1924–2004) and Bhanuji Rao came with T.S. Eliot and published their co-authored poetry book "Nutan Kabita". Later, Ramakanta Rath modified the ideas. Sitakanta Mohapatra, Soubhagya Kumar Mishra, Rajendra Kihore Panda, Brajanath Rath, Jayanta Mahapatra, Kamalakant Lenka, J P Das, Brahmotri Mohanty, Mamata Dash, Amaresh Patnaik, Hrushikesh Mallick, Sunil Kumar Prusty, Sucheta Mishra, Aparna Mohanty, Pritidhara Samal, Basudev Sunani, Gajanan Mishra, Bharat Majhi are some poets of this contemporary age. In the Post-Independence Era Odia fiction assumed a new direction. The trend which Fakir Mohan has started actually developed more after 50’s of last century. Gopinath Mohanty (1914–1991), Surendra Mohanty and Manoj Das (1934– ) are considered as three jewels of this time. The other significant fiction writers are Chandrasekhar Rath, Dr Jagannath Prasad Das, Shantanu Acharya, Mohapatra Nilamani Sahoo, Rabi Patnaik, Debraj Lenka, Tarun Kanti Mishra, Krushna Prasad Mishra, Akhil Mohan Patnaik, Jagadish Mohanty, Kanheilal Das. Satya Mishra, Ramchandra Behera, Padmaja Pal, Binapani Mohanty, Prativa Ray, Yashodhara mishra and Sarojini Sahoo are a few writers whose writings have created a new age in the field of fiction. Jayanti Ratha, Susmita Bagchi. Paramita Satpathy, Hiranmayee Mishra, Chirashree IndraSingh Supriya Panda, Gayatri Saraf, Mamata Chowdhry are few fiction writerw in this period, In the field of drama, the traditional Odia theatre is the folk opera, or Jatra, which flourishes in the rural areas of Odisha. Modern theatre is no longer commercially viable. But in the 1960, experimental theatre made a mark through the works of Manoranjan Das, who pioneered the new theatre movement with his brand of experimentalism. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Chandra Panigrahi, Ratnakar Chaini, Ranjit Patnaik continued the tradition. As a whole, Odia literature is a strong wing of Indian Literature to represent in world forum.
Literary magazines: (monthly) Jhankar, Nabarabi, Apurba, Galpa, Kahani, Kadambini, Istahara, Udbhasa, Amrutayana, Nabalipi, Pratibeshi, Paschima, Bijaya, Bartika, Chitra, Bishwamukti, Ama Samaya, Sananda, Godhuli Lagna, and pourusha.
Further information: Odia language, Sambalpuri Language, Indian literature, and List of Oriya writers
Culture
The language spoken by the majority of the people is Odia. English is widely used for official purpose and Odia is used as regional language. Odia belongs to the Indo-Aryan branch of the Indo-European language family, and is closely related to Bengali and Assamese. A few tribal languages belonging to the Dravidian and Munda language families are spoken by the Adivasis (original inhabitants) of the state. The state has a very opulent cultural heritage, one of the richest in India. The capital city of Bhubaneshwar is known for the exquisite temples that dot its landscape. The famous classical dance form, Odissi originated in Odisha. Contemporary Odisha has a proud cultural heritage that arose due to the intermingling of three great religious traditions – Hinduism, Buddhism and Jainism. The culture of the Adivasis is an integral part of modern Odia heritage.
Dance
Odissi or Orissi dance and music is classified as a classical music of India.Odissi is the oldest surviving dance form in India on the basis of archaeological evidence.[31][32] Odissi has a long, unbroken tradition of 2,000 years,[citation needed] and finds mention in the Natyashastra of Bharatamuni, possibly written circa 200 BC. However, the dance form nearly went extinct during the British period, only to be revived after India's independence by a few Gurus, such as Guru Deba Prasad Das, Guru Mayadhar Raut, Guru Pankaj Charan Das, Guru Mahadev Rout, Guru Raghu Dutta, and Guru Kelu Charan Mahapatra. Odissi classical dance is about the love of Krishna and his supposed consort Radha, mostly drawn from compositions by the notable Odia poet Jayadeva, who lived in the twelfth century AD.
Ghumura Dance
Ghumura Dance (or Ghumra Dance) is one of the most sought and leading folk dance form in Odisha. It is classified as folk dance as the dress code of Ghumura resembles more like a tribal dance, but recent researchers argue different mudra and dance form present in Ghumura bear more resemblance with other classical dance form of India[33]. The timeline of Ghumura dance is not clear. Many researchers claim it was a War dance in ancient India and used by Ravana in Ramayana. Ghumura dance is depicted in Konark Sun Temple confirming this dance form is since the medieval period. In the Madhya Parba of Sarala Mhabharata Ghumura has been mentioned as: "Dhola Madala Gadi je Ghumura Bajai Ghumura je Ghumu Ghumu Hoi Garajai" In Chandi Purana mentions: "Biratwara Biradhola Daundi Ghumura Kadamardala Bajanti Mari Galatura" Ghumura was also used as a Darbari dance in the princely state of Kalahandi and played by the earstwhile Kalahandi state during war times[34]. The typical mixed sound that comes out of the musical instruments like Ghumura, Nishan, Dhol, Taal, Madal etc. and the expressions and movements of the artists make this dance to be a Heroic Dance[35]. Since thousands of years Ghumura dance has evolved from a war dance to a dance form for cultural and social activities. The dance is associated with social entertainment, relaxation, love, devotion and friendly brotherhood among all class, creed and religion in the present days. Traditionally this dance is also associated with Nuakhai and Dasahara celebration in Kalahandi and large parts of South Western Orissa. Ghumura dance is still hidden in the village level in South Western Odisha and some parts of bordering Andhra Pradesh and Chhattisgarh. Kalahandi region has taken a leading rule in popularizing and retaining its unique identity of Ghumura dance. Kalahandi is mainly known as land of Ghumura[36]. Ghumura dance has got the opportunity to represent the nation in various international events Delhi, Moscow, Kolkata, and various other cities in India. Ghumura dance is also one of the most researched folk dance form in Odisha.
Kau dance (or Chau dance) is a form of tribal martial dance attributed to origins in Mayurbhanj princly state of Odisha and seen in the Indian states of West Bengal, Jharkhand and Odisha. There are three subtypes of the dance, based on the original places where the subtypes were developed. Seraikella Chau was developed in Seraikella, the administrative head of the Seraikela Kharsawan district of Jharkhand, Purulia Chau in Purulia district of West Bengal and Mayurbhanj Chau in Mayurbhanj district of Odisha.
Mahari Dance is one of the important dance forms of Odisha and originated in the temples of Odisha. History of Odisha provides evidence of the 'Devadasi' cult in Odisha. Devadasis were dancing girls who were dedicated to the temples of Odisha. The Devadasis in Odisha were known as 'Maharis' and the dance performed by them came to be known as Mahari Dance.
It was during the reign of Chodagangadeva, Maharis were employed in the temples of Puri. After Chodagangadeva's death, Ananabhimadeva built Natyamandapa in the Jagannath temple for the dance performances inside the temple. Moreover, in those days, the Mahari dancers belonged to different categories namely, the 'Nachunis' (dancers), the Bahara Gauni, the Bhitara Gauni and the Gaudasanis.
The Mahari Dancers of Odisha are supposed to follow certain restrictions, such as:
- They cannot enjoy.
- They should dance on the ceremonies connected to Jagannath.
- They should adhere to the specifications made by the Sastras.
- They must always wear clean cloths.
- The dancer cannot be physically handicapped.
- At the time of the performances, the dancers are not supposed to look at the audience.
- The Maharis are married to the Lord at the age of nine.
- Before their performances, the Mahari dancers pay their obeisance to the Lord.
In Odisha, one can also come across another type of Mahari dancers, who are known as 'Samarpada Niyoga'. The duty of the 'Samarpada Niyoga' is to dance during the ceremonial procession of the deities. These dancers perform during the Ratha Yatra, Jhulana Yatra, Dola Yatra, etc.
The Western Odisha has also great variety of dance forms unique to Odisha culture. The children's verses are known as "Chhiollai", "Humobauli" and "Dauligit", the adolescent poems are "Sajani", "Chhata", "Daika", "Bhekani" : the eternal youth composes "Rasarkeli", "Jaiphul", "Maila Jada", "Bayamana", "Gunchikuta" and "Dalkhai", The work-man's poetry comprises "Karma" and "Jhumer" pertaining to Vishwakarma and the "Karamashani" deities. The professional entertainers perform Dand, Danggada, Mudgada, Ghumra, Sadhana, sabar – Sabaren, Disdigo, Nachina – Bajnia, Samparda and Sanchar. They are for all occasions, for all time with varieties of rhythm and rhyme.
Pala is a unique form of balladry in Odisha, which artistically combines elements of theatre, classical Odissi music, highly refined Odia and Sanskrit poetry, wit, and humour. The literal meaning of pala is turn. It is more sophisticated than the other Odia ballad tradition, Daskathia. Pala is presented in three ways. The names can be mentioned as baithaki or `seated`, in which the performers sit on the ground throughout. The other one is thia or `standing`. This is more popular and aesthetically more satisfying, in which they stand. Badi is a kind of thia in which two groups vie for excellence. This is the most entertaining, as there is an element of competition.
Gotipua dance is another form of dance in Odisha. In Odia colloquial language Gotipua means single boy. The dance performance done by a single boy is known as Gotipua dance, When decadence and declination came in to Devadasi or mahari tradition due to various reasons this Gotipua dance tradition evolved as sequel as these performance were practiced to please the gods. It is totally unknown that when exactly this danced form came in to practice. Still some historians say that this dance tradition appears to have originated during the region of Prataprudradev (1497 AD to 1540 AD) and gained popularity in the subsequent Muslim Rule. Ray Remananda the famous Vaishnavite Minister of King Pratapruda and ardent follower of Sri Chitanya is the originator of this boy dancing tradition, As Vasishnavs were not approving of the females in to dance practices so it possible that the dance tradition must have come after Sri Chaitanya came to Odisha. The Gotipua Dance Tradition is now seen in the village Raghurajpur situated 10 km away from Puri town, situated on the banks of river Bhargabi. It is otherwise known as the Crafts Village as various Odia handicrafts’ craftsmen reside in this village contributing their expertise in Patta Painting and other handukrafts.
Prince Dance Group,a dance group based in Berhampur, Odisha, India led by Krishna Mohan Reddy. It has won a reality show India's Got Talent on an Indian TV channel "Colors" [1]The group is unique that the members are from a remote part of India and most of them are from disadvantaged sections of different parts of Ganjam district. Two of them, Padmanabha Sahu (24) and Telu Tarini (13) are physically challenged[2]. They have won the hearts of all Odias, including chief minister Naveen Patnaik, and even outsiders with their performance in the programme "India's Got Talent". The group, comprising 26 artistes held the audience and the judges engrossed with their act from the mythological Mahabharata and Vande Maataram.
Music
Sixteenth century witnessed the compilation of literature on music. The four important treatises written during that time are Sangitamava Chandrika, Natya Manorama, Sangita Kalalata and Gita Prakasha. Odissi music is a combination of four distinctive kinds of music, namely, Chitrapada, Dhruvapada, Panchal and Chitrakala. When music uses artwork, it is known as Chitikala. A unique feature of Odia music is the Padi, which consists of singing of words in fast beat.
Being a part of the rich culture of Odisha, its music is also as much charming and colorful. Odissi music is more than two thousand five hundred years old and comprises a number of categories. Of these, the five broad ones are Tribal Music, Folk Music, Light Music, Light-Classical Music and Classical Music. Anyone who is trying to understand the culture of Odisha must take into account its music, which essentially forms a part of its legacy. In the ancient times, there were poets who wrote the lyrics of poems and songs that were sung to rouse the religious feelings of people. It was by the eleventh century that the music of Odisha, in the form of Triswari, Chatuhswari, and Panchaswari, underwent transformation and was converted into the classical style.
Folk music like yogi gita, kendara gita,dhuduki badya,prahallad natak,palla, sankirtan, mogal tamasa, gitinatya, kandhei nacha, kela nacha,ghoda nacha, danda nacha and daskathia are popular in Odisha.
Almost every tribal group has their own distinct song and dance style.
Structural art
Sambalpuri Baandha Saree
Other cultural attractions include the Jagannatha Temple in Puri, known for its annual Rath Yatra or Car Festival, the unique and beautiful applique artwork of Pipili, silver filigree ornamental works from Cuttack, the Patta chitras (palm leaf paintings), famous stone utensils of Nilgiri (Balasore) and various tribal influenced cultures. The Sun temple at Konark is famous for its architectural splendour and erotic sculpture, while the 'Sambalpuri textiles' equals it in its artistic grandeur.The saree of Odisha is much in demand throughout the entire world. The different colors and varieties of sarees in Odisha make them very popular among the women of the state. The handloom sarees available in Odisha can be of four major types; these are Ikat, Bandha, Bomkai and Pasapalli. Odisha sarees are also available in other colors like cream, maroon, brown and rust. The tie-and-dye technique used by the weavers of Odisha to create motifs on these sarees is unique to this region. This technique also gives the sarees of Odisha an identity of their own.
Sand art
A unique type of art form was developed at Puri[citation needed], but it has spread all over the world. To carve a sand sculpture, the raw material is clean and fine-grained sand mixed with water. With the help of this type of sand and by the magic of fingers, an artist can carve a beautiful and attractive sculpture on the beach. Sudarshana Pattanaik is one of the major world-class artists in this sculpture.[citation needed]
Although not historically proved, there is a story in the Odia myths regarding the origin of sand sculpture: "Poet Balaram Das, the author of Dandi Ramayan was a great devotee of Jagannath. Once during Ratha Yatra (Car Festival), he tried to climb the chariot of Jagannath to offer his prayer. He wasn't allowed by the priests of the chariot to climb it and was also insulted by them. With great frustration and humiliation he came to the beach (Mahodadhi) and carved statues of Jagannath, Balabhadra and Devi Subhadra on the golden sand.
Religion
Gita Govinda manuscript
The majority of people in the state of Odisha are Hindu and Muslim , With Muslims population growing at a far greater pace due to very high birth rate and migration of muslims from Bangladesh and there is a also rich cultural heritage in the state. For example, Odisha is home to several Hindu figures. Sant Bhima Bhoi was a leader of the Mahima sect movement. Sarala Dasa, an adivasi, was the translator of the epic Mahabharata in Odia. Chaitanya Dasa was a Buddhistic-Vaishnava and writer of the Nirguna Mahatmya. Jayadeva was the author of the Gita Govinda.
The Orissa Temple Authorisation Act of 1948 empowered the Government of Odisha to have Hindu temples open for all Hindus including the Harijans.[37]
The Supreme Lord of Odias is Jagannath (a form of Krishna.) His popularity has made it even into the Muslim community, There are Muslims that accept Him as their savior and are revered by people of Odisha as His great devotees.[37] Lord Shiva has also had major impact on Odisha as Odisha itself in ancient and medieval times was known as Kalinga (linga indicating the fire form of Lord Shiva.)
Perhaps the oldest scripture of Odisha is the Madala Panji from the Puri Temple believed from 1042 AD. Famous Hindu Odian scripture includes the 16th century Bhagabata of Jagannatha Dasa.[38] In the modern times Madhusudan Rao was a major Odia writer, who was a Brahmo Samajist and shaped modern Odia literature at the turn of the 20th century.[39]
Main article: Oriya Film Industry
The Odia film production in the initial years was very slow. After first Odia film Sita Bibaha in 1936, only two films were produced till 1951. A joint consortium of landlords and businessmen who collected funds after 1948 produced those two movies. The first film 'Sita Bibaha' was directed by Mohan Sunder Dev Goswami and was released in Laxmi Theatre, Puri. The 1951 production Roles to Eight was the first Odia film having an English name. It was released after 15 years of the first Odia film Sita Bibaha. It was the fourth Odia film produced by Ratikanta Padhi.The eleventh Odia film Sri Lokenath was the first Odia film, which got National Award in 1960 directed by Prafulla Sengupta.[40]
The same year, Prasant Nanda won a National Award as best actor for the film Nua Bou with his debut film. The name of Prasantha Nanda would always come while dealing with Odia Film Industry. He was present in Odia films since 1939, but he became active only after 1976. Nanda served Odia Film Industry as an actor, director, screenplay writer, and lyricist and even as a playback singer. Such a versatile genius is quite rare in Indian cinema history. Nanda alone carried Odia films into the national honor list by winning National Awards three times in 1960, 1966 and 1969 for his acting in Nua Bou, Matira Manisha and Adina Megha. Uttam Mohanty, whose debut film Abhiman won accolades all over, is now the veteran actor of the Odia Film Industry. His wife Aparajita Mohanty is also a renowned actress. Sarat Chandra Pujari was one of the most popular actor of the 60S era. His popular films are Nua Bou, Jeevan Sathi,Sadhana,Manika Jodi, Naba Janma, Matira Manisa, Arundhati,Ghara Sansara, Bhookha etc. His films portrayed the general condition of the state of Odisha with a strong social message. Mr Sarat Chandra Pujari is a prominent figure till now. Apart from being an actor he was also a successful director and an academician. He still continues to act in a few selected films. Currently he is enjoying his retired life and writes columns in the newspapers as his hobby.Raju Mishra is another rising star in Odia film industry. He is an international award wining photographer, director, choreographer and lyricist of Odia film industry. Other well known actors and actress are Bijaya Mohanty,Uttam Mohanty, Ashrumochan Mohanty,Mihir das, Hemanta Das, Sidhhant Mohapatra, Sriram Panda, Maheswata, Tandra Ray and others.
- See also Sambalpuri cinema
Cuisine
Oriya cuisine Odisha has culinary tradition spanning centuries if not millennia. The kitchen of the famous Jagannath temple in Puri is reputed to be the largest in the world, with a thousand chefs, working around 752 wood-burning clay hearths called chulas, to feed over 10,000 people each day.[citation needed]
Salepur Rasogolla is famous and it is mainly prepared by Kar and Brothers (Bikalananda Kar) of salepur. Its branches are also present in cuttack and Bhubaneswar. Pahala, located on the Cuttack-Bhubaneshwar road, is famous for its variety of Rasgullas. The well-known rice pudding, kheeri (kheer) that is relished all over India, also originated in Puri two thousand years ago. Chhenapoda is also a major Odisha sweet cuisine originated in Nayagarh, it is made by caramelizing cottage cheese with sugar, cardamom and other ingredients and then burning it over a chula (wood-burning clay hearths). Chenna Jheeli and malpua are other famous sweet deserts. One of the most famous delicacies of Odisha is Kakara Peetha (made of sooji or finely grained wheat) especially with coconut filling sauteed with pepper, cardamom, sugar and ghee and sometimes cottage cheese (chena). Its one of the major delicacy during the festival occasions.
Pakhala, a dish made of rice, water, and yoghurt, that is fermented overnight, is very popular in summer, particularly in the rural areas. Odias are very fond of sweets and no Odia repast is considered complete without some dessert at the end. A typical meal in Odisha consists of a main course and dessert. Typically breads are served as the main course for breakfast, whereas rice is eaten with lentils (dals) during lunch and dinner. The main course also includes one or more curries, vegetables and pickles. Given the fondness for sweet foods, the dessert course may include generous portions of more than a single item. Odia desserts are made from a variety of ingredients, with milk, chhenna (a form of ricotta cheese), coconut, rice, and wheat flour being the most common.
Also one of the most famous veg dishes are Dalma (made of lentils and vegetables boiled together and then fried with other spices) and Santula. Even the former Indian President Dr. APJ Abdul Kalam introduced these into the Rashtrapati Bhavan Menu. Ghanta and Posta curries are also some of the signature dishes.
Odisha food habit is pretty balanced between the non-veg and veg habits. Due to its vast shoreline and number of rivers flowing across, fish is a very important part of the diet. Odisha also expertises in sea food cuisines like Prawn and Crab. The famous Chilika Lake is particularly famous for offering best sea food cuisines that are one of a lifetime experience.[citation needed]
Odisha's food habit is actually the horizon between the South Indian food habit and the North Indian Food habits. One can easily find Dosas, Vadas and idlis being served as breakfast and snacks which are typically south Indian food and also can find Poori- Chole, Samosa's(locally called Singada), and other north Indian delicacies in the menu. One of the best combination of both the North and South of India is Dahibara-Aludum-Gugguni especially in the city of Cuttack. Dahibara (vadaa Dipped and soaked in curd), aludum (a spicy curry made from potato) and Guuguni(chickpea Curry) really go well together and is one of the best fusion of the Indian Subcontinent recipes.
Education
The ruins of a major ancient university and center of Buddhist learning, Ratnagiri, were recently discovered in the Jajpur district of Odisha. Scholars from far away lands, such as Greece[citation needed], Persia and China used to study philosophy, astronomy, mathematics and science at this famed University. Taxila, Nalanda and Ratnagiri are amongst the oldest universities in the world. The ruins of Ratnagiri University have not been fully excavated yet.
The modern higher education system in Odisha is the legacy of the British Raj. There are eleven recognised universities or deemed universities viz. Ravenshaw University at Cuttack, Veer Surendra Sai University of Technology, Burla, Sambalpur (formerly University College of Engineering, Burla), Utkal University (at Bhubaneshwar), Sambalpur University at Sambalpur, Berhampur University at Berhampur, North Odisha University at Baripada, Fakir Mohan University at Balasore, Odisha University of Agricultural Technology (OUAT) at Bhubaneshwar, Utkal University of Culture at Bhubaneshwar, Biju Patnaik University of Technology at Rourkela, , Sri Jagannatha Sanskrit University and Sadashiva Kendriya Vidyapeetha Deemed (Sanskrit) University both at Puri and KIIT University in Bhubaneshwar. Many of these universities have numerous constituent colleges some of which are autonomous such as BJB College at Bhubaneshwar, SCS College at Puri, N.C. College at Jajpur, G.M. College at Sambalpur, Khalikote college at Berhampur, F.M. College at Balasore among others.
Entry to various institutes of higher education especially into engineering degrees is through a centralised Joint Entrance Examination, conducted by the Veer Surendra Sai University of Technology where seats are provided according to order of merit. [41]
Berhampur university is located in the center of Odisha in the city Berhampur way to Gopalpur. [42]
One of the prestigious institutions of India, NIT Rourkela, National Institute of Technology was upgraded from Regional Engineering College and is an Institute of National Importance. Another premier college of Odisha is the Veer Surendra Sai University of Technology, Burla, which is the first engineering college in Odisha and is famous for its excellent infrastructure and state-of-art teaching methodology.[citation needed]
Odisha is also home to one of the two Indian Institute of Mass Communication IIMC situated in Dhenkanal. This is a premier institute for mass communication and journalism.[citation needed]
Xavier Institute of Management, Bhubaneshwar
The Xavier Institute of Management, Bhubaneswar (XIMB) is a premier business school of national and international significance[citation needed] located in the state capital. The National Institute of Science Education and Research, Bhubaneswar (NISER) is another premier educational cum research institution[citation needed] that is being set up. It will be built along the lines of the reputed IISc, Bangalore. The government of Odisha has provided 935 acres (3.78 km2) of land at Arugul near Jatni Railway Station for IIT Bhubaneshwar. Classes have already started from 2008 batch.IIT BBSR The plans of setting up of an AIIMS is also in advanced stages. Meanwhile Vedanta University Project, a not-for-profit initiative by the Anil Agarwal Foundation, is an epoch-making dream to have a world class centre for learning and research on the picturesque Puri-Konark marine drive in Odisha. It will have about 100,000 students with an international mix of students pursuing around 95 diverse streams of learning in a sprawling campus of around 56,000,000 sq ft (5,200,000 m2) built up area supported by state of the art, IT and Communications systems. Even more recently, Reliance industries has expressed its intention of establishing a new Dhirubhai Ambani Institute of Information and Communication Technology (DA-IICT), as well as a health city for medical education and research in Bhubaneshwar. Some of the research institutes of Odisha includes Institute of Physics at Bhubaneshwar, Institute of Life Sciences at Bhubaneshwar, Central Rice Research Institute at Cuttack, Central Institute of Fresh water Aquaculture (CIFA)at Bhubaneshwar, Regional Medical Research centre at Bhubaneshwar, Institute of Minerals and Material Technology at Bhubaneshwar and Regional Plant Resource Centre at Bhubaneshwar. As of now, Odisha receives the lowest per capita investment of all 28 states from the central government towards human resource development.
Odisha also boasts of many renowned medical Colleges such as SCB Medical College, Cuttack, Veer Surendra Sai Medical College, Burla and MKCG Medical College,Berhampur . These colleges have been able to produce excellent doctors who have gone on to head various top posts in the Union Medical Departments. Kalinga Institute of Medical Sciences, Bhubaneshwar and Hi-tech Medical College, Bhubaneshwar are some of the private world-class medical colleges and hospitals serving the state of Odisha. Many students from the neighboring state of Jharkhand, Bihar and Chattisgarh come to Odisha for better education and expertise. Various International and National Universities have signed MoUs with top colleges for various seminars and workshop to be conducted within the campuses. The elite IIT have started its classes in Bhubaneshwar and for which the plans have already been laid out and is already taking shape. (For further details check http://www.iitbbs.ac.in)
Further information: List of educational institutions in Orissa, Higher education in Orissa, and Orissa IIT Controversy
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